Sometimes I wonder whether I have ever been a pawn in God's Providence. Certainly, there is little of the mystic in me, other than the sober hobby of walking about under starry skies. However, I am tempted to think God has advanced me a few spaces, so that He might bring out the heavy artillery later. At least that is the plan, if I'm not just imagining it (or He isn't playing a trick on me and a certain someone)! See, a few nights ago, I had a dream, in which I drew an illustration called "The Tree of Heaven" while I was on the phone with a cute Protestant fundamentalist. She had almost convinced me to spend a semester or two at a college of the same confession in Appalachia (I think it was based off the premise of The Unlikely Disciple: A Sinner’s Semester at the Holiest University in America, which I've heard about but haven't read, but from a traditional Catholic perspective). I had an inkling that I should tell her what the drawing looked like (I didn't know why I drew it: I never draw anything; for that matter I don't like speaking on the phone either), but there was too much background noise (part of the roof and exterior wall had collapsed, and there was great commotion), and I could not. Hence, As soon as I woke up, so as not to commit a crime against art, I redrew The Tree of Heaven. Intuition told me I should give the drawing to a fundamentalist hottie since I couldn't describe it in the dream, in the hope that it will prove a physical manifestation of grace, sort of like a holy relic, bringing her closer to Catholic orthodoxy and unity; not knowing any a mainstream Protestant will have to do. If it turns out the image really has no purpose, no harm done. What does it look like? I wrote an explanatory poem:
The Tree of Heaven, for Miss ??? and other young Protestant Women
The Tree of Heaven was a gift to me,
Come on the coattails of a happy dream.
I sketched it with a telephone in hand,
Pinocchio entrapped, appendaged to
A trunk, as just another branching limb,
Felt baseball cap and gloves still dangling.
"The Tree": because, by what he had become,
And by his shape, he represents the "T"
In "Tree". Below, and rather larger, is
The proper "Tree of Heaven", not the "T".
Enmisted by the sparkle of the sun
On fog, and flying fairy lights, the roots
Stretch far, like woven vines upon the earth.
A not-too-massive trunk shoots straight up, like
A nail that's resting on its head. Atop,
The branches reach, and parallel the roots
With horizontal striving into sticks.
I drew it like an "I": but it's an "H"
As well. A row of Red Deliciouses
Around the trunk, beads strung upon its sides,
Become an "H", the confluence of earth
And Heaven in a corporeal form.
I think it's Heaven's graces reaching down,
For in the now-vague dream, I nearly spent
A year or one semester at a school
In Appalachia, fundamentalist
In bent, because a pretty Protestant
Encouraged me to join her there. I drew
The Tree of Heaven, speaking on the phone,
For her, and tried describing it, because
The fruits resembled graces that could change
Her heart, and bring her over to the Faith.
(But there was too much background noise to tell
Her what it looked like; she hung up on me).
Reminding me that ancient Paris gave
A golden apple "for the fairest" (though
There's more of these, and they are red), I thought,
"The Tree of Heaven should be given to
A fundamentalist: that's what I'll do!"
But knowing none, instead I've chosen you.
Chosen who, you ask? Well, even my fellow Assumption greyhounds will have to wait till we return for junior year to figure out who's getting this mediocre drawing and mercenary poem! (Here's the lower part; I wanted you to use your imaginations before showing you this rudimentary-if-faithful sketch. Note the unnatural belt of apples at the center).















